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Results 31—40 of 49
- To Have It About You: The Dorothy and Herbert Vogel Collection
To Have It About You: The Dorothy and Herbert Vogel Collection. Weisman Art Museum, Minneapolis, Minnesota, October 23, 2009 – January 10, 2010.
- Frederick R. Weisman Art Museum, University of Minnesota
Untitled
Painting
Steve Keister is a sculptor and ceramist. The forms in his work draw heavily on Mexican archaeology, particularly that related to Olmec, Mayan, and Toltec sculpture. Keister’s forms link our culture to ones remote in time and place. His simple rendering of a cactus plant references his interest in Mexico and the American Southwest.
Untitled
Drawing
This drawing—likely an early work in what Kostabi refers to as his art-nouveau-influenced style—exposes the sexual dynamics inherent in the historical convention of the female nude.
Mark Kostabi became notorious for publicity stunts such as a 1987 help-wanted ad in which he advertised for studio assistants to come up with ideas for Kostabi-brand paintings as well as to paint them under his signature.
Untitled
Sculpture
Michael Lucero is a sculptor who works with clay as his main material. Lucero creates hybrid forms that speak to multiple uses—here a statue and a vessel—and varied traditions, including Western art history, African sculpture, and vernacular and pop cultures.
Glasses
Painting
Lucio Pozzi is an Italian-born painter, as well as a conceptual and performance artist. After emigrating to the United States in 1962, Pozzi settled in New York, where he still resides.
Glasses
Painting
Lucio Pozzi is an Italian-born painter, as well as a conceptual and performance artist. After emigrating to the United States in 1962, Pozzi settled in New York, where he still resides.
Glasses
Painting
Lucio Pozzi is an Italian-born painter, as well as a conceptual and performance artist. After emigrating to the United States in 1962, Pozzi settled in New York, where he still resides.
Untitled
Painting
This untitled painting is an example of Judy Rifka’s early work, which utilized minimalist abstract forms and common, or poor, materials like plywood.
Untitled
Sculpture
Barbara Schwartz was generally associated with the pattern and decoration movement of the 1970s, which produced bright and complex abstract patterns in reaction to the stark and impersonal nature of minimalist art, which was stripped down to its most fundamental forms.
She sought to further enliven abstraction by giving it three-dimensional form and linking it to non-Western sources. This small cast paper piece, made spefically for the Vogels, is handcrafted and brightly hued.
Untitled
Sculpture
Alan Shields’s unique practice of stitching, painting, dying, and shaping his canvases into three-dimensional forms violated the formalist sense of late 1960s art ideas, which called for the clear separation of distinct media such as painting and sculpture. His unorthodox use of materials and practice of stitching positioned him as a pioneering experimental artist.
Untitled
Painting
In the late 1960s and early 1970s, when this piece was made, Gary Stephan experimented with color and materials in his work. His experimentation here is represented by the metallic sheen of the pigments and the plastic material of the support.